"Persuasion" Review! 
                            
                          Written 
                              by C.M. 
                                Houghton ("Triplet")
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                            NOTE: I  talk about a lot of stuff in this review, so if you read it before viewing this  episode, you may be sorry.  Alternately,  you may thank me for warning you ahead of time.
                          Some episodes I don't particularly like the first time I  see them.  Even then I sometimes find  that they grow on me each subsequent time I watch them, although that wasn't  really the case with this episode.  I  think my gut instinct upon my initial viewing was proved right each time I  watched this, and I do watch an episode multiple times if only to try and  figure out why I hate or love and episode.   It helps me better articulate my thoughts, so I ended up seeing 'Persuasion'  about four times more than I wanted to.   Granted there were certain aspects of this episode that I did like  better with subsequent viewings, others I hated more.  So I'm not sure how successful this episode  was for scribe Ann Cofell Saunders.  
                          I guess it started out fairly well, but the episode  generally went downhill from there and things just got so silly with Lois.  She really wasn't herself at all.  I mean the last thing Lois would want to do  is stay home and cook for Clark.  Maybe  it was supposed to have proven just how powerful his new powers of suggestion  were, but it annoyed me. Were Lois real, I'm not sure it'd be so easy to change  her into some Donna Reed wannabe.   Although, it seemed to have been a difficult thing for her to deal with  since she did break down after her confrontation with Chloe.  She clearly recognized being the happy  homemaker wasn't for her, so maybe that was the point.  Although, I must point out that this is the  first time Clark had ever expressed any desire for Lois to be more traditional,  so that came out of nowhere.  Yet, the  contrivance helped the show explore Lois' character in a new way. But I don't  buy the explanation.  Gemstone kryptonite?  That was just weird.  
                          
                          Gemstone Kryptonite is not from the comics, or rather,  not really.  There was previously a type  of kryptonite called 'Jewel Kryptonite' (I had to look that up, by the way),  but it had different properties.  That  type gave the Kryptonians exposed to it psychic abilities, so only the name is  similar.
                          
                          It was just strange that this new form of kryptonite  affected others the way it did.  Clark  said it himself: kryptonite only usually affects him.  It bothered me because it was strange the way  it worked and how contrived it was, but it wasn't the biggest problem this  episode had.
                          
                          As for the darker side of this episode, I'll admit that  Clark's burning down the towers was a bit on the drastic side, and was upsetting  to some people online especially in light of the similarities to what happened  on 9/11. However, I think that any connection between what Clark did and what  happened to New York's World Trade Center was probably an inadvertent, and thus  an unfortunate, plot point, which probably wasn't helped by the way the Special  Visual Effects were designed.  
                          
                          If they were going to have him burn down the towers,  they should have avoided having them collapse the way they did.  That reminded me of that day. We've all seen  the video of New York's towers collapsing; we've all shared in the horror of  watching them fall into themselves, even if we weren't watching the events  unfold live.  How that shot was designed  was not the best choice, but that isn't what bothered me most about this  episode.
                          
                          And I don't think that there's anyway Clark would have  done a thing to that building before ensuring everyone nearby was safe from  harm.  Clark is no killer, no matter what  he almost did to Tess.  So, the Kandorian  and Zod related parts of the episode got really, really dark, although none of  that is what particularly bothered me either.
                          
                          No, I think my biggest problem with the episode wasn't  with any specific incident or plot point, although the whole idea behind it was  contrived as I've said, but the tone was wildly uneven.  Given how dark the Kandorian-related  storylines were, with Zod threatening death and/or subjugation to Tess and the  entire world, Alia getting executed by Zod, Clark nearly killing Tess and then  burning down a couple of buildings, throwing in a frothy music-video of  love-sick Lois dancing around in Martha Kent's wedding dress seemed a bit on  the campy side.  Actually, it was probably  more than just a bit...  
                          
                          I think I might have even have gotten completely onboard  with the episode, even with the contrivances, if the tone had been more evenly  handled. I'm not sure whether it was Ann's script or the direction from  Christopher Petry that was to blame for that.   It was just the juxtaposition of Lois dancing around in a wedding dress put  into the same episode with much darker material had made for a muddled mess. 
                          
                          I mean, she was dancing around in the wedding dress  right before Clark's first confrontation with Zod.  That's a very drastic change in tone from one  scene to the next: upbeat, saccharine sweet dance music combined with Lois  dancing in a romantically ruffled wedding dress right before Clark's confusion  and grief turns into murderous rage?   Yeah, I'd say that's an odd juxtaposition.
                          
                          Yet, it wasn't like those parts were bad, in and of  themselves.  It was like the two parts of  this story should have been from different seasons or maybe even from different  episodes.   I think if they'd been somehow had been in  separate episodes that they would have worked better.  Lois' exaggerated reactions to the spell, and  the over-the-top-happy dancing around in Martha's wedding dress, might have  worked well in a light-weight episode.  A  more sober Lois storyline probably would have worked better in what had turned  out to be a pretty dark episode for Clark.
                          
                          
                      
                        As for what happened in the episode, looking at the  events in-and-of-themselves, I like the secrets that Clark's hypnotic  suggestions revealed.  Lois having insecurity  about being the right person for Clark because she doesn't fit the stereotypical  feminine role was an interesting twist.   It showed a side of Lois I'm not sure we'd seen before.  The story explored her character a bit and in  turn revealed a bit more about Clark's as he dealt with her. 
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                            I liked how Chloe reacted to the suggestion that she  protect Clark.  She was even more  ferocious than normal in protecting him.   She turned on Emil and Lois and even turned on Clark in order to protect  him from himself.  
                            I really liked seeing a more relaxed version of  Emil.  The guy's so uptight,  normally.  Straight-laced and  sea-kelp-salad eating Emil relaxing so much that he acted stoned was  refreshing.  It showed a new side of the  character.
                            
                            I loved that Zod wasn't completely affected by Clark's  new temporary powers.  Initially, he  seemed to be telling the truth, yet he didn't completely fess up to Clark.  I'm not sure whether he really thought that  Tess was behind Jor-El's murder, but he seemed so sincere that Clark believed  him.  I have to believe that Zod knew it  wasn't true since the misrepresentation (or lie) benefitted him far better than  the truth would have.  I think Zod had  somehow evaded the affect Clark's new ability had on others, or the suggestion  to tell the truth somehow allowed him enough latitude to lay the blame on Tess,  someone he clearly wanted to be rid of.  
                            
                            I also liked seeing Clark being torn about doing what he  needed to do about the murderer of his father and with Zod and the towers.  He wanted to take more action than his  instincts would otherwise let him, so he had some things to wrestle with in  this episode.  Although, I doubt that  given a hypnotic-type of suggestion would be enough to get Clark to almost kill  Tess.  I don't think even under those  circumstances he would have done that, but that did make for a great scene so  maybe I'll cut her some slack for that.   Tom plays Clark magnificently when he's pissed off and Tess was so  scared and powerless, something new for her, so it gave both actors great  moments to act.
                            
                            Another thing I had a problem with was that I think  something must have been cut, and I hope we get to see it in the DVD set.  At Alia's funeral Faora had bruises on her  face and a cut lip, but we didn't see the fight that caused those injuries.  Did Faora and Alia have a confrontation  before Alia decided to confess to Zod? Or was it Faora and Zod?  I don't think I saw any bruises on Alia, so  maybe it with Zod since he had somehow gotten Faora's passport before the scene  with Tess.  But whomever Faora had that  confrontation with they probably should have kept that scene.  I think my problem with it was that Alia's  decision to come clean to Zod seemed to have come out of the blue.  With how the episode played out, her  motivation wasn't clear.  If she'd had  some sort of confrontation with Faora, whether or not it had come to blows, her  coming clean to Zod later probably would have made more sense.
                            
                            So, in the end, this episode wasn't the best one I've  ever seen.  Despite the fact that there  were things I liked, there were so many more head-scratching moments that I  probably wouldn't say this is Ann's best work.  She had done a much better job with 'Idol'.
                            
                            Tom Welling did a terrific job with what he was handed  to act.  I liked how supportive he had  Clark being in the scene with Lois in the barn, even as he was obviously a bit  freaked out about the change in Lois' behavior. Probably my favorite parts were  when he was got so angry.  I thought Tom  played it perfectly when Clark was about to kill Tess, the menace was chilling.   And when he burned down those towers,  his fury was intense even as it seemed to somehow morph into sadness and grief  he was forced to take such drastic action.
                            
                            Don't get me wrong, I really like Allison Mack, but in  her post-gemstone-Kryptonite-fueled aggressive protection of Clark, Allison sometimes  made Chloe came off as barely likeable.   I'm not sure it's something Allison would have chosen for Chloe or  whether this was a directing choice, but it's one of the things that bothered  me about this episode.  She was too  strident and harsh at times, at other times she was less so.  I generally like her being protective of  Clark, but did she have to become such a harpy?   There were times I loved what Allison did, I liked it when she was  talking to Clark, for example.  The time  I think I had the most problems with her was in the scene with Lois, she was  just too hurtful with Lois. 
                            
                            Although, I did like the way she had stated Chloe's line  about Lois not knowing the 'real' Clark.   Nice dig, which of course Lois had no clue what she was really talking  about.  I also loved the scene between  Chloe and Tess.  I liked how Allison had  Chloe handle that, skeptical of Tess' intentions and willing to do anything to  stop her.  It was like she was standing  up to a bully, so Allison played that well.
                            
                            In the episode, Erica Durance had to trying to turn  fiercely independent Lois into a weepy, overly emotional and largely inept  homemaker.  The way she played it was  perfect.  Although I thought that there  was something slightly off in the scene with Chloe and even though I hated the  music video montage of Lois in the wedding dress in concept, Erica did a good  job with what she was asked to portray.  However,  her best scene was probably the weepy scene in the loft with Clark.  She had some different intents to play, Lois  was still basically in the thrall of Clark's super power of suggestion, but  still trying to deal with her realization that she's not perfect, and thus  probably not perfect for Clark.  It was a  terrific scene for her.  And even though  I hated the music video of her in Martha's wedding dress, I loved how Erica  played that.  It was silly and  over-the-top and Lois just seemed deliriously happy to be marrying Clark.  Although it probably belonged in another  episode, I adored how completely she threw herself into that section of the  episode.
                            
                            Cassidy Freeman was fantastic as Tess.  The way she had Tess stand up to Zod, even  when he seems to scare her, was perfect.   The teasing invitation to join her in the bath, even as she was trying  to deflect whatever scheming Zod was up to.   She was also terrific in the scene with Clark when he was so close to  killing Tess.  She thought she was doing  the right thing, and the way that Cassidy played that was perfect.  Just the right mix of fear and regret even as  Clark was about to burn her to a crisp.
                            
                            Callum Blue was terrific as Zod, but for some reason I'm  beginning to get annoyed with his always pointing at or poking people.  It's an add habit.  As for most of the episode, I loved how expressive  his face and eyes were.  He was terrific  to watch.  He played Zod as so torn up by  having to kill Alia.  I also liked the  scene with Clark after Alia's funeral.   He played Zod as wounded and angry because he was forced to kill a loyal  supporter to avenge the murder of Clark's father.  He played the part perfectly. 
                 
                    
                      
                        
                          I loved what Alessandro Juliani did with most of his  part of the episode.  The laid back  version of Dr. Emil was fantastic, but I really hated he was obviously just  mashing buttons on the computer keyboard without really typing anything.  I hate it when actors do that.  The real Emil would have been typing  something, so Alessandro should have been in those parts of the scene were we  could clearly see his hands. Aside from that, I don't have any problems with  his performance. In fact, I enjoyed the scene he was in.  Alessandro seemed to take some glee in  finally playing Emil's more relaxed side. 
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                      Monique Ganderton was terrific in what is likely her  final episode as Alia, unless she comes back in some flashbacks or  something.  I loved Alia's pain of  sacrificing herself, offering up her confession to Zod, probably to protect him  from Clark's ire, and how well Monique had played that scene.  It was perfect.
                      Sharon Taylor did an excellent job as Faora.  I really liked her scene with Clark where she  was so grateful to Clark.  It wasn't a  very long scene, but I think she was wonderful in it.  I know some people who have served in the  military and there was something in her manner as her gave her little speech  that made it seem Faora had served a lifetime as she said.  Sharon did an outstanding job with the little  bit we saw of her.
                      
                      Christopher Petry, normally a producer and second unit  director for the show, directed this episode. It's his first outing as director  for the show. While he's not new to "Smallville", I'm not sure how  well things had gone for him.  As I've  said, the tone was very uneven.  Yet,  there were some very nice moments.  I  liked the mobility of the camera and some of the setups were very nice.  A few of the scenes lingered a bit too long,  got a bit too talky, but I'm not sure what else could have been cut.  However, the apparently missing confrontation  scene Faora had with someone probably shouldn't have been so maybe something else  should have gone.  Yet, he did get good  performances from his cast and helped shape some strong visuals, so I think the  episode was probably more of a success than a failure, but I really hated the  uneven tone of it.
                      
                      Glen Winter shot another beautiful episode, I loved how  fluid the camera movement was and I liked the use of crane shots.  Oddly, perhaps, I loved when Chloe's point-of-view  shot showed Tess beating her.  That was a  terrific choice.  I also loved when the  handheld camera moved into a close-up on Tess holding that gun just before  Clark came and took her away.  Also James  Philpott did an excellent job with the sets in this episode.  Design wise, I think my favorite part was the  funeral scene.  It was beautifully  designed and photographed.
                      
                      The music added to that scene.  Also I loved the rock guitar playing over  Clark's destruction of the towers, so Louis Febre did another terrific job with  the music in this episode.  The sharp-sounding  guitar worked well for me, although I'm not sure it would have been a first  choice.
                      
                      Melanie Williams did a terrific job with Lois'  traditional housewife dress.  It was a  terrific color for Erica and fit her perfectly; it was a Donna Reed-like confection  perfect for that part of the episode.  
                      Probably not the worst episode so far this season, yet  it's close to the bottom.  The uneven  tone didn't do this episode any favors. I give this episode 3.25 silly Lois dance  music videos out of a possible 5.
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